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Girl Meets Boy: The Myth of Iphis (Myths, The)
For the record, Iphis and Ianthe is a myth touching on homosexuality. To cut a long story short, Iphis, of course, was born a daughter and given this conveniently androgynous name, lived her whole life disguised as a boy only her and her mother new the truth and fell in love with her class schoolmate, Ianthe. Now, what does Ali Smith make of this myth? No punctuation marks to indicate who is talking, when the dialogues begin and end. The narrative flows like water and conventional punctuation marks are not here to help you find your bearings in this fluid story.
What she says out loud? What she dares to articulate? What she accepts to think, what is politically correct? How to describe this novel? From this moment on, two motifs are developed and contrasted in the rest of the novel: on one side, the fluidity of gender, the freedom and lightness of love, the laughters of carelessness but also, a deep political commitment to denounce the injustices of our contemporary world; and on the other side, the rigidity, greediness, monstrosity of a large company which knows no limits to expand its profits and which is ready to trample ethics in the name of benefits.
Water is present and represented everywhere in the novel. While some want to bottle, separate, shape and sell water, others embrace its fluidity, its freedom and the improbable routes it can lead to. While Imogen struggles with her fears, aversion but also fascination for her sister and Robin, the new girlfriend, Anthea blooms into a happy young lady who lives in the present and in the arms of her lover who makes her aware of the political and social injustices of the world.
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Without limiting the rights under copyright above, no part of this publication shall be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise , without the prior permission of both the copyright owner and the publisher of this book. Girl meets boy : the myth of Iphis. ISBN pbk. Mythology, Classical - Fiction.
Girl Meets Boy New Edition
For the record, Iphis and Ianthe is a myth touching on homosexuality. To cut a long story short, Iphis, of course, was born a daughter and given this conveniently androgynous name, lived her whole life disguised as a boy only her and her mother new the truth and fell in love with her class schoolmate, Ianthe. Now, what does Ali Smith make of this myth? No punctuation marks to indicate who is talking, when the dialogues begin and end. The narrative flows like water and conventional punctuation marks are not here to help you find your bearings in this fluid story. What she says out loud? What she dares to articulate?
Girl Meets Boy, by Ali Smith: about imagination and gender fluidity
The blog notes will be brief and rough, but I hope that they will open up a conversation where happy accidents might happen, where someone might say something I may not have seen or experienced in the reading. Ali Smith is my special author. She never loses sight of what words can do and mean in any given context. In their negotiations we see how vulnerable and flawed, but also how very human, how convincing that this balancing act could free their and our minds, cause our imaginations to soar. It is essential for art, and necessary for human life.
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Ali Smith: “How to be both” and “Girl Meets Boy.”
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A superb offering—and therefore a shame that its cover design of a boy and girl in a clinch makes it look like a run-of-the This conceptually unique collection of short story pairings by a constellation of teen-literature stars explores a variety of relationship types as the respective male and female involved in each one experience them. In the first, a witty teen seeking to stop cheating on his girlfriends is drawn into a messy sexual relationship with a troubled but hot girl who is an abuse survivor. In another, a likable, tough girl muscles in on a bully who is harassing the object of her crush. In the third, a gay year-old agrees to an in-person meeting with an online-chat buddy in a tale both sad and sweet. Two separate stories examine the strain felt by couples of different ethnic backgrounds as they struggle with prejudice and familial expectations.
Girl Meets Boy
Being in the presence of creativity — real, playful, enchanting, shape-shifting, thought-changing creativity — is extraordinarily uplifting. Yet another story about a love affair that goes wrong, or a family with problems or a crime novel in which a depressed detective drinks his way through a case; such novels are read because they promise something we know all about already, encased in a pleasing form. But every now and then, a book leaps out at you that is profoundly creative, that manages to do something very fresh and innovative in a way that leaves you feeling charged full of hope. Because real creativity, the ability to take something old, worn, constricted and shake it out, fill it with light, make it new again, has that enviable power. Iphis is born a girl to a family who cannot afford one, and so her mother brings her up as a boy. She falls in love with her childhood friend, Ianthe and the pair are engaged to be married, only Iphis and her mother are inevitably concerned as to how this marriage might turn out.
Girl Meets Boy is about girls and boys, girls and girls, love and transformation, and the absurdity of consumerism, as well as a story of reversals and revelations that is as sharply witty as it is lyrical. With wit and obvious delight, Smith slaps at the ploys of consumerism, plays with social constructs, tweaks generational identity, and upends gender expectations—all in the guise of a story about the transformative powers of love and art and ideas. This slender, sweet natured, lyrical tale not only nods but also winks and grins at the many books it could not have been written without. The writing is tight.
Girl Meets Boy: The Myth of Iphis